Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of millions of her contemporaries. Uncle Tom's Cabin paints pictures of three plantations, each worse than the other, where even the best plantation leaves a slave at the mercy of fate or debt. Her questions remain penetrating even today: "Can man ever be trusted with wholly irresponsible power?"
First published more than 150 years ago, this monumental work is today being reexamined by critics, scholars, and students. Though "Uncle Tom" has become a synonym for a fawning black yes-man, Stowe's Tom is actually American literature's first black hero, a man who suffers for refusing to obey his oppressors. Uncle Tom's Cabin is a living, relevant story, passionate in its vivid depiction of the cruelest forms of injustice and inhumanity-and the courage it takes to fight against them.
The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.
Edited by Joseph Pearce
Contributors to this volume:
Dedra McDonald Birzer
Mark Canada
John J. Han
Mary R. Reichardt
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Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of millions of her contemporaries. Uncle Tom's Cabin paints pictures of three plantations, each worse than the other, where even the best plantation leaves a slave at the mercy of fate or debt. Her questions remain penetrating even today: "Can man ever be trusted with wholly irresponsible power?"
First published more than 150 years ago, this monumental work is today being reexamined by critics, scholars, and students. Though "Uncle Tom" has become a synonym for a fawning black yes-man, Stowe's Tom is actually American literature's first black hero, a man who suffers for refusing to obey his oppressors. Uncle Tom's Cabin is a living, relevant story, passionate in its vivid depiction of the cruelest forms of injustice and inhumanity-and the courage it takes to fight against them.
The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.
Edited by Joseph Pearce
Contributors to this volume:
Dedra McDonald Birzer
Mark Canada
John J. Han
Mary R. Reichardt
You must Log In to add this item to your cart.
Joan Sheen Cunningham was happily growing up with her family in Illinois when her uncle Bishop Fulton Sheen offered her the opportunity of a lifetime: to attend a private school in New York City. With the blessing of her parents, she eagerly accepted, and Fulton Sheen became a second father, a role model, and a lifelong friend.
In this memoir, Joan describes many formative experiences she had with Fulton Sheen—from shopping for a winter coat to meeting Al Smith, the governor of New York. She fondly recollects how her uncle guided her courtship, helped her and her new husband find an apartment, and baptized their children and grandchildren.
Sheen is most known for his popular television show, Life Is Worth Living. The Sheen that Joan presents, however, is not only a polished television personality, but a man of prayer, generosity, and missionary zeal who interacted with count- less people from all walks of life. In one story after another, she illustrates that this great man’s chief concern was sharing the mercy of God with everyone.
Up, up, and away!
When Tom Tate hears that Wilbur and Orville Wright are building a flying machine, he can't wait to try it. Tom's dad thinks it's dangerous. Some people think the Wrights are crazy. Can Tom help the brothers get their dream off the ground?
After a narrow escape, Martin Claver is now in the crosshairs of crooked cops and nefarious Flambeau, both searching for a way to put an end to the Phantom Phoenix.
A jewelry store explosion is conveniently pinned on the Phoenix, and the entire city begins to doubt the intentions of the virtuous vigilante. Even Martin questions his own tactics, wondering if Chicago will ever welcome his crime-fighting capers.
Can Martin clear his name? Or will the fire of the Phoenix be snuffed out forever?
Find out what happens next in Issue #2 - The Phantom Frame-Up!
The Phantom of the Colosseum is the first volume of the gripping new series for 10 yr. olds and up titled In the Shadows of Rome (6 books total).
Being a Christian in ancient Rome was very dangerous. To spread the faith and stay alive, you had to live in the shadows . . .
Now that Blandula's master has been arrested for being a Christian, what will she do? Little does she know that she is about to meet three boys who will help her to find the answer: Maximus, the son of a senator; his slave Aghiles; and Titus, who never goes anywhere without his pet monkey.
Follow their adventures as Blandula and her new companions forge priceless friendships—and discover the many secrets lurking in the shadows of the Colosseum.
This lively volume brings together the best of Tomie dePaola's Art Mail—the charming illustrations of feast days and holidays he sent to family and friends. Each piece is accompanied by short passages about the saint or the occasion it represents. Various Catholic customs practiced throughout the world are also described.
This engaging book is sure to inspire the whole family to celebrate with the Church her special days and seasons through the year.
