Continuing his popular series of novels about saints of the Church, de Wohl devotes his considerable talents to an interpretation of one of the most unusual women of all time, Saint Catherine of Siena. The daughter of a prosperous dyer in fourteenth- century Siena, Catherine never forgot the mystical experience of her extreme youth; at that time she devoted herself to Christ. It was, however, a shock to her family when, refusing marriage, she insisted on giving her life totally to God.

Her career was extraordinary. In that confused and dangerous era of history, the Pope was living at Avignon: Catherine persuaded him to return to Rome. The City-States of Italy were at war with each other: Catherine subdued them. There was pestilence: Catherine served and saved. She performed miracles, she received the stigmata, she drew about her a crowd of devoted men and women.

A saint who would not let the Lord God alone, she really did lay siege to heaven-and changed the face of her world. This novel, which is also a vivid biography, brings Catherine of Siena to life in a remarkable way. She lives on every page.

This Vision book for youth 9 - 15 years old tells the exciting, dramatic story of St. Ignatius of Loyola and the order he founded, the Society of Jesus. As a young man, Ignatius had dreams of an adventurous life as a soldier. His dreams, however, did not come true the way he had hoped.

Seriously wounded in battle, the soldier Ignatius had a profound conversion to Christ during his period of healing and recovery. He abandoned a promising career in the military and dedicated the rest of his life to the service of Christ and the Church. This book tells of his starting one of the most influential orders in the church, and gives a graphic account of his adventures, his many encounters with popes, kings and emperors, and the great work the Jesuits did in spreading the Gospel. Illustrated

Cover art by Chris Pelicano

Jane Austen is arguably the finest female novelist who ever lived and Pride and Prejudice is arguably the finest, and is certainly the most popular, of her novels. An undoubted classic of world literature, its profound Christian morality is all too often missed or wilfully overlooked by today's (post)modern critics. Yet Austen saw the follies and foibles of human nature, and the frictions and fidelities of family life, with an incisive eye that penetrates to the very heart of the human condition. This edition of Austen's masterpiece includes an introduction by Professor Christopher Blum and several insightful critical essays by leading Austen scholars.

The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. 

Edited by Joseph Pearce

Contributors to this volume:
Christopher Blum
Anthony Esolen
Richard Harp
Douglas Lane Patey

One of the finest novels ever written, Jane Eyre is also one of the most misunderstood masterpieces of world literature.Whereas most modern teaching of the text misreads or misinterprets Charlotte Brontë’s devout and profoundly ingrained Christian faith and intentions, this critical edition emphasizes the semi-autobiographical dimension of the novel, exposing feminist critiques of the work as being woefully awry and illustrating Brontë’s belief in the hard-earned, hard-learned blessings of sanctity and reverence.